{"id":206,"date":"2010-10-02T15:16:45","date_gmt":"2010-10-02T15:16:45","guid":{"rendered":"http:\/\/bussigel.com\/hiroya\/?page_id=206"},"modified":"2023-08-22T16:39:07","modified_gmt":"2023-08-22T16:39:07","slug":"news","status":"publish","type":"page","link":"https:\/\/hiroyamiura.com\/?page_id=206","title":{"rendered":"news"},"content":{"rendered":"

\u00a0<\/h4>\n

\u00a0<\/h4>\n

2023<\/strong><\/span><\/h4>\n
13th conference on cross-cultural relations, voyages between the west and the east, travelers, and new realities<\/span><\/strong><\/h5>\n

moonwake—interpreting yoko tawada— <\/i>for voices and electronics, francesca lopez, voice, university of verona, italy (june 15, 2023)<\/p>\n

delights and dangers of ambiguity cd release, improvisation with buck curran<\/span><\/strong><\/h5>\n

mugen no umi no iro <\/em>(link<\/a>), buck curran, guitar, hiroya miura, piano, obsolete recordings, (january 6, 2023)<\/p>\n

2022<\/strong><\/span><\/h4>\n
barge music here and now festival<\/span><\/strong><\/h5>\n

three poems from kanginshu for voice, cello, and shamisen, for duo yumeno, barge music, brooklyn, ny (september 4 , 2022)<\/p>\n

myth & memory: berio folk songs and new companions<\/span><\/strong><\/h5>\n

two arrangements of ryukyu folk songs, tsuki nu kaisha<\/em> and asadoya yunta<\/em>, for left coast chamber ensemble at jeannik miqu\u00e9t little field concert hall at mills college and san francisco conservatory of music, ca (june 5 and 6, 2022)<\/p>\n

boston conservatory percussion ensemble concert featuring hiroya miura<\/span><\/strong><\/h5>\n

blow-out, otik trio, and diacritic <\/em>for percussion trio and quartet, studio 106, boston conservatory of music at berklee (april 25, 2022)<\/p>\n

2021<\/strong><\/span><\/h4>\n
shamisen sanya with hidejiro honjoh and yuji takahashi<\/span><\/strong><\/h5>\n

premiere of knights’ crossing<\/em> for shamisen and piano, yuji takahashi, piano, and hidejiro honjoh, shamisen, hall 60, shibuya, tokyo, japan (december 18, 2021)<\/p>\n

university of washington school of music guest lecture\u00a0<\/span><\/strong><\/h5>\n

lecture “composition as translation”: discussion on singularity<\/em> for string quartet,\u00a0lustral shades\u00a0<\/em>for gagaku sankan, shamisen, and cello, and sharaku unframed <\/em>(january 22, 2021)<\/p>\n

2020<\/strong><\/span><\/h4>\n
return to folk \u2014distant sea\u2014<\/span><\/strong><\/h5>\n

new original arrangements of tosa no sunayama<\/em> and dossha dossha<\/em>, hidetaro honjoh, voice, dogen kinowaki, flute, tatsuki sasanuma, cello, sawako yasue, percussion, kioi hall, tokyo, japan (december 6, 2020) link<\/a><\/p>\n

audio art festival krak\u00f3w<\/span><\/strong><\/h5>\n

remote improvisation performance as a member of kaon’cpt<\/a>:\u00a0 michal seta (concept\/charge conjugation), nicolas bouillot (concept\/time reversal), bennett smith (dispersion), emmanuel durand (graphical memory), nina ripoll (action) and zack settel (entropy). stuart mcleod (gmt-7), d. andrew stewart (gmt-7), dirk stromberg (gmt+8) and michael edwards (gmt+1), hevre, krak\u00f3w, poland (november 21, 2020) festival link<\/a><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 video<\/a><\/p>\n

mari asakawa piano lecture recital: modern polyphony<\/span><\/strong><\/h5>\n

\u00a0 eventide<\/em> for piano, mari asakawa, tokyo opera city, tokyo, japan\u00a0 \u00a0 \u00a0 \u00a0(october 29, 2020)<\/span><\/p>\n

mostra internazionale del cinema di genova<\/span><\/strong><\/h5>\n

flight over wasteland,<\/em> screening, genoa, italy, (october 10-18, 2020) schedule is here<\/a><\/p>\n

network music festival birmingham<\/span><\/strong><\/h5>\n

remote improvisation performance as a member of kaon’cpt<\/a>:\u00a0 michal seta (concept\/charge conjugation), nicolas bouillot (concept\/time reversal), bennett smith (dispersion), emmanuel durand (graphical memory), nina ripoll (action) and zack settel (entropy), stuart mcleod (gmt-7), and dirk stromberg (gmt+8),\u00a0 nmf, birmingham, united kingdom (july 17, 2020) link<\/a><\/p>\n

ryuichi<\/b><\/span> sakamoto: PTP04022020 with hidejiro honjoh<\/b><\/span><\/h5>\n

vermillion study<\/em> for shamisen solo, hidejiro honjoh, shamisen, presented by dtv and kab inc., tokyo, japan (april 20, 2020)<\/p>\n

video<\/span><\/a> (courtesy of mr.sakamoto, available outside japan)<\/p>\n

modern to contemporary piano seminar<\/b><\/span>\u00a0<\/b><\/span><\/h5>\n

resident composer, program includes eventide<\/em> for piano, mari asakawa, orinasu yame hachihime hall, yame, fukuoka, japan (march 17-20)<\/span><\/p>\n

2019<\/strong><\/span><\/h4>\n
left coast chamber ensemble season opener<\/b><\/span><\/h5>\n

sharaku unframed<\/em>, micro-opera for soprano, baritone, shamisen, flute, viola, double bass and percussion, left coast chamber ensemble under the direction of matilda hofman, nikki einfeld (soprano), daniel cilli (baritone), hidjiro honjoh (voice and shamisen), liliya lifanova (stage direction and costume), asian art museum, san francisco conservatory of music, and berkeley hillside club (october 5 and 6, 2019)<\/p>\n

review<\/a> by san francisco classical voice<\/p>\n

international shakuhachi festival<\/b><\/span><\/h5>\n

galactic monarchs<\/em> for shakuhachi and string orchestra, john kaizan neptune\u00a0 (shakuhachi), berg orchestra under the direction of peter vr\u00e1bel, kz domovina, prague, czech republic (september 16, 2019)<\/p>\n

chiharu naruse recital<\/b><\/span><\/h5>\n

atardecer\/a\u2026retraced<\/em>,<\/em> eagle hill institute, steuben, maine (may 18, 2019)<\/p>\n

amalgama plays apnm<\/b><\/span><\/h5>\n

open passage -in memoriam andrew svoboda-\u00a0<\/em> season concert of the association for the promotion of new music, st-peter’s\u00a0church, new york, ny (may 17, 2019)<\/p>\n

\u00a0 \u00a0 \u00a0<\/b><\/span><\/p>\n

flight over wasteland premiere screening<\/b><\/span><\/h5>\n

film version of\u00a0flight over wasteland<\/em>, multimedia collaboration with liliya lifanova, anthology film archives, new york, ny (april 13, 2019)<\/p>\n

2018<\/strong><\/span><\/h4>\n
50th anniversary concert of columbia university imjs\/japanese cultural heritage initiatives : wagakki renaissance<\/strong><\/span><\/h5>\n

three poems from ryojin hisho<\/em> for voice, violin, and\u00a0 kotsuzumi, yomiuri otemachi hall,<\/a> tokyo, japan (november 8, 2018)<\/p>\n

ayumi shimonoto (voice), shuga hayashi (violin), and kaho t\u014dsha (tsutsumi)<\/p>\n

shamisen from edo hauta to contemporary<\/b><\/span><\/h5>\n

vermillion study <\/em>for shamisen solo, hidejiro honjoh, center for new music, san francisco, ca (october 14, 2018)<\/p>\n

hidjiro honjoh recital<\/b><\/span><\/h5>\n

vermillion study<\/em> for shamisen solo,\u00a0hidejiro\u00a0honjoh<\/a>, l’atelier\u00a0by apc<\/a>,\u00a0tokyo, japan (august 23, 2018)<\/p>\n

shamisen unlimited<\/b><\/span><\/h5>\n

vermillion study <\/em>for shamisen solo (premiere), hidejiro honjoh<\/a>, divadlo archa<\/a>, prague, czech republic (june 18, 2018)<\/span><\/span><\/p>\n

take dance an\u0259m\u02c8n\u0113sis <\/strong><\/span><\/h5>\n

take ueyama,<\/a> whose work has been described by the new york times as \u201ca bold tribute to modernity, with just enough originality,\u201d is creating landscape 2, set to gossamer lattice<\/a>, <\/em>west end theater<\/a>, nyc, ny (may 23, 24, and 25, 2018)<\/p>\n

13th annual concert of japanese heritage instrumental music<\/strong><\/span><\/h5>\n

lustral shades<\/em> for shamisen, ryuteki,\u00a0hichiriki, sho, and cello (premiere), miller theater,<\/a> nyc,\u00a0ny\u00a0(march\u00a031, 2018)<\/p>\n

hidejiro honjoh<\/a> (shamisen), takeshi sasamoto<\/a> (ryuteki), mayumi miyata<\/a> (sho), hitomi nakamura<\/a> (hichiriki), and elena ariza<\/a> (cello)<\/p>\n

pma 360 “composing maine” with portland symphony orchestra<\/strong><\/span><\/h5>\n

open passage —in memoriam <\/span>andrew svoboda— for violin, cello, alto flute, and piano, <\/span>players of the portland symphony orchestra, portland museum of art<\/a>, portland, me (march 23, 2018)<\/p>\n

boston university percussion ensemble concert<\/strong><\/span><\/span><\/h5>\n

diacritic <\/em>for percussion quartet, boston\u00a0university college of fine arts concert hall<\/a>, boston, ma (march 22, 2018)<\/p>\n

2017<\/span><\/h4>\n
mezin\u00e1rodn\u00ed hudebn\u00ed festival setk\u00e1v\u00e1n\u00ed nov\u00e9 hudby\u00a0plus<\/span><\/a><\/span><\/strong><\/h5>\n

soramimi<\/em> for baritone solo, premiere, vojt\u011bch \u0161embera, jana\u010dek academy of music, brno, czech republic (november\u00a014, 2017)<\/p>\n

momenta festival III closing concert “forces of creation”<\/span><\/strong><\/h5>\n

singularity<\/em> for string quartet, momenta quartet,\u00a0 the center at west park,\u00a0new york,\u00a0ny\u00a0(october 4, 2017)<\/p>\n

juilliard\u00a0summer\u00a0percussion seminar closing concert<\/span><\/strong><\/h5>\n

diacritic<\/em> for percussion quartet, juilliard school,\u00a0new york, ny (july 22, 2017)<\/p>\n

flight over wasteland<\/strong><\/span><\/h5>\n

multimedia collaboration based on t. s. eiliot’s waste land<\/em> with artist liliya lifanova and choreographer, davy bisaro, knockdown center<\/a>, maspeth, ny. (april 12-15, 2017)<\/p>\n

2016<\/strong><\/span><\/h4>\n
havana contemporary music festival<\/span><\/strong><\/h5>\n

open passage — in memoriam andrew svoboda— <\/em>for alto flute, violin, cello, and piano, third sound<\/a>, havana contemporary music festival, havana, cuba (november 13-19, 2016)<\/p>\n

utari\u00a0in tokyo vol. 2<\/span><\/strong><\/h5>\n

blow-out <\/em>for percussion quartet, utari<\/a>,\u00a0bunkyo civic hall, tokyo, japan (october 29, 2016)<\/span><\/p>\n

third sound concert<\/strong><\/span><\/h5>\n

open passage — in memoriam\u00a0andrew\u00a0svoboda—, <\/em>third sound<\/a>, saint bartholomew’s church<\/a>, new york, ny (october\u00a021, 2016)<\/span><\/p>\n

boston conservatory percussion ensemble concert<\/span><\/strong><\/span><\/h5>\n

diacritic<\/em> for percussion quartet, boston conservatory theater<\/a>, boston, ma (october 1, 2016)<\/span><\/span><\/p>\n

mari asakawa piano recital<\/strong><\/span><\/p>\n

eventide<\/em> for piano, mari asakawa, carnegie weill recital hall<\/a>, new york, ny (september\u00a030, 2016)<\/span><\/p>\n

mari\u00a0asakawa\u00a0piano recital<\/span><\/strong><\/p>\n

eventide<\/em> for piano (premiere),\u00a0mari\u00a0asakawa<\/a>, olin arts center concert hall, bates college, lewiston, me (september\u00a028, 2016)<\/p>\n

boston university tanglewood institute 50th anniversary concert with buti percussion ensemble<\/strong><\/span><\/p>\n

diacritic for percussion quartet, <\/em>buti percussion ensemble directed by george nickson, west street theater, tanglewood, ma (july 28, 2016)<\/span><\/p>\n

juilliard\u00a0summer percussion seminar<\/span><\/strong><\/span><\/strong><\/p>\n

blow-out for percussion quartet,<\/em> utari, the juilliard school<\/a>, new york, ny (july 15, 2016)<\/span><\/span><\/p>\n

connections austria-america<\/span><\/strong><\/p>\n

chindami\u00a0 (revised version) for flute, clarinet, violin, contrabass, piano, and electronics, <\/em>ensemble mise-en, austrian cultural forum <\/a>(may 25, 2016)<\/p>\n

queens new music festival<\/span><\/strong><\/p>\n

kodama\u00a0for flute and marimba,<\/em> iktus\u00a0duo+,\u00a0secret theater,\u00a0queens,\u00a0ny\u00a0(may 22, 2016)<\/p>\n

japanese sacred court music and ancient soundscapes reborn: poetry and paintings in concert<\/strong><\/span><\/p>\n

gossamer lattice<\/em> for hichiriki, sho, and ryuteki, with hitomi nakamura,\u00a0mayumi miyata, takeshi sasamoto,\u00a0miller theater<\/a>, new york, ny (march 26, 2016)<\/p>\n

iktus\u00a0duo+ residency at bates college<\/span><\/strong><\/p>\n

kodama\u00a0for flute and marimba, <\/em>iktus\u00a0duo+, olin arts center,\u00a0lewiston, me (march 12, 2016)<\/p>\n

iktus duo+ concert<\/span><\/strong><\/p>\n

kodama for flute and marimba,<\/em> iktus duo+, jack, brooklyn, ny (march 4, 2016)<\/span><\/p>\n

2015<\/strong><\/span><\/h4>\n

ensemble mise-en bates college residency<\/span><\/strong><\/p>\n

chindami<\/em> for flute, clarinet, violin, contrabass, piano, and electronics,<\/em> ensemble mise-en, olin arts center, lewiston, me (november\u00a019, 2015)<\/span><\/span><\/p>\n

acoutstic + sounds from new england<\/span><\/strong><\/p>\n

chindami<\/em> for flute, clarinet, violin, contrabass, piano, and electronics, <\/em>ensemble mise-en, mise-en place, brooklyn, ny (november 5, 2015)<\/span><\/span><\/p>\n

biennial ostrava music days<\/span><\/strong><\/p>\n

singularity for string quartet <\/em>with fama Q, philharmonic hall, ostrava, czech republic (august 26, 2015)<\/span><\/p>\n

2014<\/strong><\/span><\/h4>\n

from ancient\/medieval mastery to contemporary<\/strong><\/span><\/p>\n

gossamer lattice<\/em> for ryuteki, hichiriki, and sho with hitomi nakamura<\/a>, takeshi sasamoto<\/a>, and mayumi miyata<\/a>, kioi hall<\/a>, tokyo, japan (june 14, 2014)<\/p>\n

juilliard wednesday at one concert<\/span><\/strong><\/span><\/div>\n
\u00a0<\/span><\/strong><\/span><\/div>\n
otik trio<\/em> with juilliard percussion ensemble under direction of daniel druckman, alice tully hall, lincoln center, new york city, ny (april 16, 2014)<\/div>\n
a<\/span><\/div>\n
“unofficial” chamber music of america showcase<\/strong><\/span><\/span><\/div>\n
\u00a0<\/strong><\/span><\/div>\n
otik trio <\/em>with\u00a0iktus percussion<\/a>, klavierhaus recital hall<\/a>, new york city, ny (january 18, 2014)<\/div>\n

2013<\/strong><\/h4>\n

the flow of sounds \u2014mari asakawa piano recital\u2014<\/strong><\/span><\/p>\n

atardecer\/a\u2026retraced<\/em>, <\/em>with\u00a0mari asakawa<\/a>,\u00a0k\u00f4en-d\u00f4ri classics, tokyo<\/a>, japan (december 15, 2013)<\/p>\n

mannes percussion ensemble concert<\/strong><\/span><\/p>\n

puncture me<\/em> with mannes percussion ensemble under the direction of james baker,\u00a0mannes college concert hall<\/a>, new york, ny\u00a0\u00a0(december 2, 2013)<\/p>\n

new york times<\/em> review<\/a> of the concert<\/p>\n

composition colloquium at mcgill university schulich school of music<\/strong><\/span><\/p>\n

composing in ex-futuro—imagining japan-ness in music— (november 21, 2013)<\/span><\/span><\/p>\n

muse (multi cultural sonic evolution) sounds of arts festival<\/span><\/strong><\/p>\n

otik trio<\/span> <\/span>with iktus percussion<\/a>, secret theatre<\/a>, long island city, ny (november 21 & 23, 2013)<\/span><\/span><\/p>\n

turning point duo debut tour<\/span><\/p>\n

otik trio<\/em> with matt sharrock, laurel black, and casey cangelosi,\u00a0alexander fine arts center, concord university,<\/a> athens, wv (october 23, 2013)<\/p>\n

eastman school guest recital series<\/span><\/strong><\/span><\/p>\n

otik trio<\/em> with\u00a0iktus percussion<\/a>, ray wright room, eastman school\u00a0of music<\/a>, rochester, ny (october 4, 2013)<\/p>\n

japanese sacred court music and ancient soundscapes reborn<\/strong><\/span><\/a><\/p>\n

gossamer lattice<\/em> for hichiriki, sho, and ryuteki, with hitomi nakamura,\u00a0mayumi miyata, takeshi sasamoto,\u00a0miller theater<\/a>, new york, ny (march 8, 2013)<\/span><\/p>\n

open passage<\/strong><\/span> – festival of new music 2013<\/a>, florida state university (february 1, 2013)<\/p>\n

2012<\/strong><\/h4>\n

recordare <\/strong><\/span> – for make music new york winter festival <\/a>(december 21, 2012)<\/p>\n

for carillon of st-martin’s episcopal church, and marching brass musicians in new york city<\/p>\n

preview article by wall street journal is here<\/a><\/p>\n

read about recordare reviewed in linked music <\/a>blog<\/p>\n

singularity for string quartet<\/strong> <\/span>– momenta quartet<\/a> (premiere — december 4, 2012)<\/p>\n

olin arts center concert hall<\/a>, bates college, lewiston, me<\/p>\n

rutgers percussion ensemble concert <\/strong><\/span>(november 10, 2012)<\/p>\n

mitate<\/em> for percussion sextet (<\/a>live recording<\/a>)<\/p>\n

nicholas music center<\/a>, rutgers, nj<\/p>\n

festival vacances percutantes<\/strong><\/span><\/p>\n

otik trio<\/em> (european premiere — july 25, 2012)<\/p>\n

th\u00e9\u00e2tre\u00a0 comoedia,<\/a> marmande, france<\/p>\n

2011<\/strong><\/h4>\n

umi-madre<\/span> <\/strong>– sound installation –\u00a0 (october 13-november 27, 2011)<\/p>\n

centro de arte pepe espali\u00fa<\/a>, c\u00f3rdoba, spain<\/p>\n

link to video<\/a><\/p>\n

madama butterfly<\/strong><\/span> with mercury opera<\/a> (august 23-27, 2011)<\/p>\n

conductor<\/p>\n

via italia-giovanni caboto park, edmonton, ab, canada<\/p>\n

umi-madre<\/span><\/a> <\/strong>– sound installation – (july 14-30, 2011)<\/p>\n

la fragua artist residency<\/a><\/span>,<\/span><\/span> belalc\u00e1zar, spain (read about it here<\/span><\/a> in diario c\u00f3rdoba<\/em><\/span>)<\/p>\n

zeltsman marimba festival 2011 <\/strong><\/span><\/a> (8:00 pm, june 29, 2011)<\/p>\n

otik trio<\/em><\/p>\n

harper hall, lawrence memorial chapel, appleton, wi<\/p>\n

weaving japanese sounds\/ japan earthquake benefit concert<\/span> <\/strong>(8:00 pm, may 7, 2011)<\/p>\n

moonpetals<\/em><\/p>\n

sachiko kato (pf) and airi yoshioka (vln)<\/p>\n

tenri cultural institute, new york, ny<\/p>\n

carnegie hall japan\/nyc festival<\/span> <\/a><\/span><\/strong>(see pages 18-19 of the<\/span> pdf brochure<\/a><\/span>)<\/span><\/span><\/p>\n

mitate <\/em>(new work)<\/p>\n

juilliard percussion ensemble<\/a> (8:00 pm, march 29, 2011)<\/p>\n

alice tully hall, lincoln center, new york city, ny<\/p>\n

ne<\/em>w york times<\/em> review <\/a>of the concert<\/p>\n

blow-out<\/em> (new work)<\/p>\n

line c3 percussion group<\/a> (8:00 pm, april 2, 2011)<\/p>\n

laguardia arts center, long island city, ny<\/p>\n

japan oc festival at philharmonic society<\/span><\/a><\/strong><\/p>\n

gossamer lattice<\/em><\/p>\n

takeshi sasamoto, ryuteki; hitomi nakamura, hichiriki; mayumi miyata, sho (8:00 pm, march 19, 2011)<\/p>\n

sagerstorm center for the arts, samueli theater, orange county, ca<\/p>\n

taka kigawa piano recital<\/strong><\/span><\/a><\/p>\n

atardecer\/a…retraced <\/em>for piano solo (7:30 pm. april 2, 2011)<\/p>\n

le possion rouge, new york city, ny<\/p>\n

2010<\/strong><\/h4>\n

listening in, looking out 2010<\/strong><\/span><\/p>\n

multimedia project with\u00a0 peter bussigel<\/a>,\u00a0 alex koster, abby merson, jack schneider,\u00a0 masaki endo, and school children in sendai, japan and lewiston, me<\/p>\n

link<\/a> to the project page<\/p>\n

tome art triennale<\/strong><\/span><\/p>\n

collaborative\u00a0installation<\/a> with french artist fabiana cruz<\/p>\n

“making of” video<\/a> by fabiana cruz<\/p>\n

<\/p>\n

ongoing project<\/strong><\/h4>\n

passage project<\/span><\/strong><\/p>\n

collaboration with japanese photographer kanako sasaki<\/a><\/p>\n

correspondence<\/span><\/a> <\/span><\/p>\n

with naoto ogawa, film curator, at sendai mediatheque (sorry… in japanese only!)<\/p>\n

<\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 2023 13th conference on cross-cultural relations, voyages between the west and the east, travelers, and new realities moonwake—interpreting yoko tawada— for voices and electronics, francesca lopez, voice, university of verona, italy (june 15, 2023) delights and dangers of ambiguity cd release, improvisation with buck curran mugen no umi no iro (link), buck curran, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-206","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages\/206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=206"}],"version-history":[{"count":49,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages\/206\/revisions"}],"predecessor-version":[{"id":1461,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages\/206\/revisions\/1461"}],"wp:attachment":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}