{"id":727,"date":"2010-07-19T18:54:34","date_gmt":"2010-07-19T18:54:34","guid":{"rendered":"http:\/\/bussigel.com\/hiroya\/?page_id=4"},"modified":"2023-08-22T12:35:42","modified_gmt":"2023-08-22T12:35:42","slug":"music","status":"publish","type":"page","link":"https:\/\/hiroyamiura.com\/?page_id=727","title":{"rendered":"works"},"content":{"rendered":"<p>\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1444 size-full\" src=\"https:\/\/hiroyamiura.com\/wp-content\/uploads\/2023\/08\/keysss.jpeg\" alt=\"\" width=\"498\" height=\"500\" srcset=\"https:\/\/hiroyamiura.com\/wp-content\/uploads\/2023\/08\/keysss.jpeg 498w, https:\/\/hiroyamiura.com\/wp-content\/uploads\/2023\/08\/keysss-300x300.jpeg 300w, https:\/\/hiroyamiura.com\/wp-content\/uploads\/2023\/08\/keysss-150x150.jpeg 150w\" sizes=\"auto, (max-width: 498px) 100vw, 498px\" \/><\/p>\n<details>\n<summary><span style=\"color: #ff9900; font-size: 19px;\">for stage<\/span><\/summary>\n<h3>sharaku unframed\u00a0\u00a0 \u00a0 <a href=\"https:\/\/hiroyamiura.com\/wp-content\/uploads\/2019\/11\/Sharaku_Unframed_Score.pdf\" data-jzz-gui-player=\"true\">score<\/a><\/h3>\n<h3><span style=\"color: #888888; font-size: 13px;\"><span style=\"color: #808080;\">micro-opera for soprano, baritone, shamisen, viola, flute, double bass, and percussion\u00a0 (2019)<\/span><\/span><\/h3>\n<h3><span style=\"color: #888888; font-size: 13px;\"><span style=\"color: #808080;\">nikki einfeld (soprano), daniel cilli (baritone), hidejiro honjoh (shamisen and voice), and left coast chamber ensemble directed by matilda hofman<\/span><\/span><\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Aeqdoh0tJ4A\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<h3>flight over wasteland<\/h3>\n<h3><span style=\"color: #888888; font-size: 13px;\"><span style=\"color: #808080;\">staged live installation for electronics and actors, in collaboration with davy bisaro and liliya lifanova (2017)<\/span><\/span><\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/218833688\" width=\"560\" height=\"235\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<\/details><details>\n<summary><span style=\"color: #ff9900; font-size: 19px;\">for large ensemble<\/span><\/summary>\n<h3>galactic monarchs \u00a0\u00a0 \u00a0\u00a0<a href=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/GMonarchs_FullScore.pdf\" data-jzz-gui-player=\"true\">score<\/a><\/h3>\n<h3><span style=\"color: #888888; font-size: 13px;\"><span style=\"color: #808080;\">for shakuhachi, string orchestra, harp, and percussion (2019)<br \/>performed by john kaizan neptune and berg orchestra directed by peter vr\u00e1bel<\/span><\/span><\/h3>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-727-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/hiroyamiura.com\/wp-content\/uploads\/2019\/10\/Galactic-Monarchs-Premiere.mp3?_=1\" \/><a href=\"https:\/\/hiroyamiura.com\/wp-content\/uploads\/2019\/10\/Galactic-Monarchs-Premiere.mp3\">https:\/\/hiroyamiura.com\/wp-content\/uploads\/2019\/10\/Galactic-Monarchs-Premiere.mp3<\/a><\/audio>\n<h3>analemma \u00a0\u00a0 \u00a0\u00a0<a href=\"http:\/\/issuu.com\/hiroya\/docs\/analemma_score\" target=\"_blank\" rel=\"noopener noreferrer\" data-jzz-gui-player=\"true\">score<\/a><\/h3>\n<h3><span style=\"color: #888888; font-size: 13px;\">for large orchestra (2013)<\/span><\/h3>\n<h3>wind coils <span style=\"color: #888888; font-size: 13px;\">for chamber orchestra (2006)<\/span><\/h3>\n<h3><span style=\"color: #888888; font-size: 13px;\">american composers orchestra directed by jeff milarsky<\/span><\/h3>\n<audio class=\"wp-audio-shortcode\" id=\"audio-727-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/01-Wind-Coils.mp3?_=2\" \/><a href=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/01-Wind-Coils.mp3\">http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/01-Wind-Coils.mp3<\/a><\/audio>\n<h3><span style=\"color: #000000;\">kicked <\/span><span style=\"color: #808080; font-size: 13px;\">for chamber orchestra (2008)<\/span><\/h3>\n<h3><span style=\"color: #000000;\">cut <\/span><span style=\"color: #808080; font-size: 13px;\">for biwa and chamber orchestra (2007)<\/span><\/h3>\n<\/details><details open=\"open\">\n<summary><span style=\"color: #ff9900; font-size: 19px;\">for solo and chamber ensemble<\/span><\/summary>\n<h3>lustral shades \u00a0\u00a0 \u00a0\u00a0<a href=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/Lustral_shades_final.pdf\" data-jzz-gui-player=\"true\">score<\/a><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">for hichiriki, sho, ryuteki, shamisen, and cello<br \/>Hidejiro Honjoh (shamisen), Takeshi Sasamoto (ryuteki), Mayumi Miyata(sho), Hitomi Nakamura (hichiriki), Elena Aliza (cello) (2018)<\/span><\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/295491225\" width=\"569\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>singularity\u00a0 \u00a0 \u00a0 <a href=\"http:\/\/issuu.com\/hiroya\/docs\/singularity?mode=window&amp;viewMode=singlePage&amp;printButtonEnabled=false\" data-jzz-gui-player=\"true\">score <\/a><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">for string quartet<\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">momenta quartet (2012 rev. 2015)<\/span><\/h3>\n<iframe loading=\"lazy\" width=\" 100%\" height=\"70\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F73996978&color=ff6600&auto_play=false&show_artwork=false\"><\/iframe>\n<h3>open passage\u00a0 \u00a0 <a href=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/open-passage_score.pdf\" data-jzz-gui-player=\"true\">score<\/a><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">for alto flute, violin, cello, and piano<\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">new york new music ensemble (2006)<\/span><\/h3>\n<iframe loading=\"lazy\" width=\" 100%\" height=\"70\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74326772&color=ff6600&auto_play=false&show_artwork=false\"><\/iframe>\n<h3><span style=\"color: #000000;\">diacritic\u00a0 \u00a0 \u00a0 <a href=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/Diacritic_Score_Final2016.pdf\" data-jzz-gui-player=\"true\">score<\/a><\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">for percussion quartet <\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">boston conservatory percussion ensemble (2016)<\/span><\/h3>\n<p><span style=\"color: #000000;\"><span style=\"color: #808080;\"><iframe loading=\"lazy\" width=\" 100%\" height=\"70\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F281206153&color=ff6600&auto_play=false&show_artwork=false\"><\/iframe><\/span><\/span><\/p>\n<h3><span style=\"color: #888888;\"><span style=\"color: #000000;\">mitat\u00e9\u00a0 \u00a0 \u00a0<\/span> <a href=\"http:\/\/issuu.com\/hiroya\/docs\/mitate_final_rev2012?mode=window\" data-jzz-gui-player=\"true\">score <\/a><\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">for percussion sextet<\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">rutgers percussion ensemble (2012)<\/span><\/h3>\n<iframe loading=\"lazy\" width=\" 100%\" height=\"70\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F73990740&color=ff6600&auto_play=false&show_artwork=false\"><\/iframe>\n<p><span style=\"color: #000000;\"><span style=\"color: #808080;\">\u00a0<\/span><\/span><\/p>\n<h3>eventide <span style=\"color: #808080; font-size: 13px;\">for piano<\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">mari asakawa (2016)<\/span><\/h3>\n<p><span style=\"color: #808080;\"><iframe loading=\"lazy\" width=\" 100%\" height=\"70\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F285951556&color=ff6600&auto_play=false&show_artwork=false\"><\/iframe><\/span><\/p>\n<p><span style=\"color: #808080;\">\u00a0<\/span><\/p>\n<h3>puncture me <span style=\"color: #808080; font-size: 13px;\">for percussion trio (2001, rev. 2006) <\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">time table percussion<\/span><\/h3>\n<iframe loading=\"lazy\" width=\" 100%\" height=\"70\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F74327147&color=ff6600&auto_play=false&show_artwork=false\"><\/iframe>\n<h3><span style=\"color: #808080;\"><span style=\"color: #000000;\">blow out <\/span><\/span><span style=\"color: #808080; font-size: 13px;\">for percussion quartet <\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">line c3 percussion<\/span><\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/204703259\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3>moon petals <span style=\"color: #808080; font-size: 13px;\">for violin and piano<\/span><\/h3>\n<p><span style=\"color: #000000;\"><span style=\"color: #808080;\">\u00a0<\/span><\/span><\/p>\n<h3>kasane goshi <span style=\"color: #808080; font-size: 13px;\">for gagaku sankan ensemble\u00a0<\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">members of reigakusha (mayumi miyata, sho; takeshi sasamoto, ryuteki; hitomi nakamura, hichiriki) \u00a0excerpt only (2007)<\/span><\/h3>\n<iframe loading=\"lazy\" width=\" 100%\" height=\"70\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F86300868&color=ff6600&auto_play=false&show_artwork=false\"><\/iframe>\n<p><span style=\"color: #000000;\"><span style=\"color: #808080;\">\u00a0<\/span><\/span><\/p>\n<h3>save twilight <span style=\"color: #808080; font-size: 13px;\">for cello and electronics (2003)<\/span><\/h3>\n<audio class=\"wp-audio-shortcode\" id=\"audio-727-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/hiroyamiura.com\/wp-content\/uploads\/2010\/10\/05-Save-Twilight.m4a?_=3\" \/><a href=\"https:\/\/hiroyamiura.com\/wp-content\/uploads\/2010\/10\/05-Save-Twilight.m4a\">https:\/\/hiroyamiura.com\/wp-content\/uploads\/2010\/10\/05-Save-Twilight.m4a<\/a><\/audio>\n<h3>otik trio <span style=\"color: #808080; font-size: 13px;\">for percussion trio (2004)<\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\"> time table percussion<\/span><\/h3>\n<audio class=\"wp-audio-shortcode\" id=\"audio-727-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/03-Otik-Trio.mp3?_=4\" \/><a href=\"http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/03-Otik-Trio.mp3\">http:\/\/bussigel.com\/hiroya\/wp-content\/uploads\/03-Otik-Trio.mp3<\/a><\/audio>\n<\/details><details>\n<summary><span style=\"color: #ff9900; font-size: 19px;\">for multimedia<\/span><\/summary>\n<h3><span style=\"color: #ff6600;\"><span style=\"color: #000000;\">listening in, looking out <\/span><\/span><span style=\"color: #808080; font-size: 13px;\">(co-created with video artist peter bussigel and school children in sendai, japan) <\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">for percussion, cello, and video (2009)<\/span><\/h3>\n<p><span style=\"color: #808080;\">\u00a0<\/span><\/p>\n<h3>interactive lines <span style=\"color: #888888; font-size: 13px;\">(co-created with video artist fabiana cruz)<\/span><\/h3>\n<h3><span style=\"color: #888888; font-size: 13px;\"> video installation (2010)<\/span><\/h3>\n<h3>motion studies <span style=\"color: #888888; font-size: 13px;\">for marimba and video controlled by max\/msp jitter (2009) <\/span><\/h3>\n<\/details><details>\n<summary><span style=\"color: #ff9900; font-size: 19px;\">for film<\/span><\/summary>\n<h3>junko&#8217;s shamisen\u00a0 \u00a0 \u00a0 <span style=\"color: #888888; font-size: 13px;\">film by sol friedman (2009)<\/span><\/h3>\n<h3><span style=\"color: #808080; font-size: 13px;\">performed by nagata shachu ensemble and ten-ten\u00a0<\/span><\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/8542120\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3><span style=\"color: #333333;\"><span style=\"color: #333333;\">4021 parkside avenue\u00a0 \u00a0 \u00a0<\/span><\/span><span style=\"color: #888888; font-size: 13px;\">flim by byron karabatsos (2008)<\/span><\/h3>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/92429591\" width=\"560\" height=\"420\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/details>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 for stage sharaku unframed\u00a0\u00a0 \u00a0 score micro-opera for soprano, baritone, shamisen, viola, flute, double bass, and percussion\u00a0 (2019) nikki einfeld (soprano), daniel cilli (baritone), hidejiro honjoh (shamisen and voice), and left coast chamber ensemble directed by matilda hofman flight over wasteland staged live installation for electronics and actors, in collaboration with davy bisaro and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-727","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages\/727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=727"}],"version-history":[{"count":7,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages\/727\/revisions"}],"predecessor-version":[{"id":1447,"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=\/wp\/v2\/pages\/727\/revisions\/1447"}],"wp:attachment":[{"href":"https:\/\/hiroyamiura.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}